Movements/SectionsMov'ts/Sec's | 114 pieces |
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First Publication | 1922 |
Genre Categories | Songs; For voice, piano; For voices with keyboard; Scores featuring the voice; Scores featuring the piano; English language; French language; German language |
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Performances
Charles Ives (born 1874, Danbury, Conn, U.S.--died 1954, New York City), significant American composer who is known for a number of innovations, Charles Ives free midi download.
Naxos
Sheet Music
Scores
Midi Files Backing Tracks
Complete
Complete Score
*#34908 - 27.85MB, 262 pp. - 0.0/10 (-) - V/V/C- 22910Ã--⇩ - Carolus
*#34908 - 27.85MB, 262 pp. - 0.0/10 (-) - V/V/C- 22910Ã--⇩ - Carolus
Complete Score
*#29684 - 12.49MB, 266 pp. - 0.0/10 (-) - V/V/C- 17206Ã--⇩ - Daphnis
*#29684 - 12.49MB, 266 pp. - 0.0/10 (-) - V/V/C- 17206Ã--⇩ - Daphnis
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LXIV. The Cage
Complete Score
*#255985 - 0.09MB, 1 pp. - 0.0/10 (-) - V/V/C- 3308Ã--⇩ - Carolus
*#255985 - 0.09MB, 1 pp. - 0.0/10 (-) - V/V/C- 3308Ã--⇩ - Carolus
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LXXXVIII. A Night Song
Complete Score (CA)
*#23828 - 0.11MB, 2 pp. - 0.0/10 (-) - V/48/25 - Daphnis
*#23828 - 0.11MB, 2 pp. - 0.0/10 (-) - V/48/25 - Daphnis
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General Information
Work Title | 114 Songs |
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Alternative. Title | |
Composer | Ives, Charles |
I-Catalogue NumberI-Cat. No. | None [force assignment] |
Movements/SectionsMov'ts/Sec's | 114 pieces
|
First Publication. | 1922 |
Copyright Information | Possibly public domain in EU and other 70 pma countries. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. |
Librettist | Various |
Language | English/French/German |
Composer Time PeriodComp. Period | Early 20th century |
Piece Style | Early 20th century |
Instrumentation | Voice and Piano |
External Links | Lied, Art Song and Choral Texts Archive Musicweb International page I Hear America Singing (PBS) |
Retrieved from 'http://imslp.org/index.php?title=114_Songs_(Ives,_Charles)&oldid=2806582'
This work is likely not in the public domain in the US (due to first publication with the required notice after 1923, plus renewal or 'restoration' under the GATT/TRIPS amendments), nor in the EU and those countries where the copyright term is life+70 years. However, it ispublic domain in Canada (where IMSLP is hosted) and in other countries (China, Japan, S. Korea) where the copyright term is life+50 years. |
Movements/SectionsMov'ts/Sec's | 2 pieces |
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Composition Year | 1891, 1897 |
Genre Categories | Pieces; For organ; Scores featuring the organ; For 1 player |
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Performances
Synthesized/MIDI
2. Adeste Fidelis in an Organ Prelude
*#549907 - 0.00MB - 2:22 - 0.0/10 (-) - !N/45/25 - 35×⇩ - MID - Keanur
*#549907 - 0.00MB - 2:22 - 0.0/10 (-) - !N/45/25 - 35×⇩ - MID - Keanur
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Sheet Music
Charles Edward Ives
Scores
Complete Score (CA)
*#298203 - 1.51MB, 18 pp. - 0.0/10 (-) - V/45/25 - David Campbell
*#298203 - 1.51MB, 18 pp. - 0.0/10 (-) - V/45/25 - David Campbell
PDF scanned by David Campbell
David Campbell (2013/10/4)
David Campbell (2013/10/4)
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2. Adeste Fidelis in an Organ Prelude (CA)
*#549906 - 0.08MB, 2 pp. - 0.0/10 (-) - !N/45/25 - editor Visual studio 2012 express for web full download.
*#549906 - 0.08MB, 2 pp. - 0.0/10 (-) - !N/45/25 - editor Visual studio 2012 express for web full download.
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![Charles Ives Midi Files Charles Ives Midi Files](/uploads/1/2/4/7/124797652/347524416.jpg)
General Information
Work Title | 2 Organ Pieces |
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Alternative. Title | |
Composer | Ives, Charles |
I-Catalogue NumberI-Cat. No. | ICI 4 |
Movements/SectionsMov'ts/Sec's | 2 pieces:
|
Year/Date of CompositionY/D of Comp. | 1891, 1897 |
First Publication. | 1949 |
Composer Time PeriodComp. Period | Early 20th century |
Piece Style | Early 20th century |
Instrumentation | organ |
Misc. Comments
Around 1890, Ives was much in advance of his fellow composers in musical writing. For example taste the acidulous bitonal/bimodal conterpoint he uses for Adeste fideles where the melody is inverted, then played - in B-flat minor - against the actual hymn in F major (perhaps an allusion to the reversed cross used in the Sabbath evoqued in the note at the beginning). The chords used are similar to some used in The Unanswered Question.